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Email Members: www.spiritofgravity.com
email: info@spiritofgravity.com
GRAVITATIONAL
PULL
Dispatches from the Spirit of Gravity / Edition 67 / April 08
·
Happenings:
CON
BRIO / O.M.S. – N.M.A. / THE DISCO TEARS
The
Three & Ten, 10 Steine St, BN2 1TE
8.30-11pm, £4/£3 concs.
Con
Brio
Direct to the brain quality melodies laced with clever beats.
Pure electronica - a sound that glitches
through heavenly glances of beauty then yanks you back to reality with
cut-up beats dirty enough to make a hammer bleed.
o.m.s. - n.m.a.
From Belgium: field recordings and analogue improvisation - the audible
and the inaudible.
The main project of Andy Eeckhaut
(1980), since 2001, after been involved in bands and projects playing the
more conventional music, as known to society. It features
experimental electronics and electro-acoustic music, with sways of noise,
(dark) ambient and related. Either starting composition from samples
derived from field recordings, or from modular analogue synthesis, live
performances always have a great deal of improvisation included. What
comes first is the sound an sich,
and layers get build or deconstructed, fx
added, structures introduced, minimal manipulation, etc. but all comes
back to what it is all about initially: sound.
The Disco Tears
Failed to cop off with anyone? Never mind, buck
up!
The artistes formerly known as Celled, or Sold, or sometimes The Birds of
Death Valley, return with a special tribute to disco heartbreak. Expect
Pianos, strings, horns, bass guitar, synthesisers flashing lights and
loafers. Or, none of the above.
Hosted
by our very own electro-comedian Lee Hume
live interactive visuals by _minimalVector
For
details of future Spirit of Gravity events, go to www.spiritofgravity.com/.
We
have video and audio on the Spirit of Gravity mp3 blog
from all our recent shows at spiritofgravity-brighton.blogspot.com/
There
are other videos on the Spirit of Gravity MySpace
page at www.myspace.com/thespiritofgravity
There
are also downloads available of some complete Spirit of Gravity sets at www.archive.org/details/the-spirit-of-gravity
There
are now also some of _minimalVector’s films
featuring Spirit of Gravity acts and guests at the Vimeo
HDTV page www.vimeo.com/thespiritofgravity
·
Greetings:
Advanced
warning that the Spirit of Gravity commission has been accepted for Expo
2008, to be held in Brighton this year.
Look out for future announcements, but for the moment, just put Sunday 6th
July into your diaries.
Also,
don’t forget that Dan Powell has been uploading archives of old shows to
www.archive.org/details/the-spirit-of-gravity,
and also some of the collective members are coming up on the Wrong music
archive of shows. www.wrongmusic.com/index.php?option=com_content&task=view&id=35&Itemid=1
Also
have a look in the Wrong-Lab for more interesting things.
·
Reviewings:
Spirit
of Gravity
at the Three and Ten, Brighton,
Tuesday 25 March
Firstly
an apology for my review of This Sound Bureaucracy at the February gig, I
didn’t mention Nick Rilke’s laptop - to be
honest I hadn’t seen it, he’d hidden it, and I wasn’t expecting it.
In
Sand were
missing a violin player tonight, so the lineup
was double bass, cello, guitar and laptop. This being the Spirit of
gravity we gave unusual prominence to Thors
laptop, obviously and he paid us back with roars, clicks, chirrups and
unusual warblings which settled alongside
rather than underpinned the stringer stuff. For me the highlight was
section where a shapeless drone turned to an engulfing wave that consumed
everyone else and spat out little balls of improv
scratches as it subsided and the other instruments settled back in its
wake. I think that may be the bit on the SogBlog.
(spiritofgravity-brighton.blogspot.com/
Part
of the Bit Phalanx/Clean group of acts from London, Coventry and the West
Country, T-toe is the trombone breaks specialist, combining the
misty melancholy of the trombone with laptop backings to create a feel
somewhere between the Dads Army theme and dubstep.
Its ambitious but it works a treat, the downtempo
numbers are lovely – I’m a sucker for “Gymnopedie
no 1” every time, and Terry’s backing track was on the right side of
interesting and elliptical to leave the beauty of the lead part intact,
and the uptempo stuff raved
like a Wrong Music 12 (www.cargorecords.co.uk/release/4351).
The
visuals picked up on the red of Terry’s hair and khaki clothes to give
fragmented beiges of trombone bell, hand and hair. There are some good
shots of this on both the mp3 blog and the Vimeo
page.
bemass
are a very interesting proposition, Brighton’s Bela
Emerson teamed up with Magnus Alexanderson and
Sten Sendall, who
travelled all the way from Sweden to play exclusively for The Spirit of
Gravity. Everyone concerned has a pedigree as long as your arm of strange
and wonderful music, and that’s what we get. Sten
provides manipulations of speech, Throat singing and unworldly whistling.
Magnus sits back in his chair causing his guitar to make sound, and
rocking various pedals, Bela
spends most of the set leaning forward Cello on the floor, crackling,
playing the saw, or turned round to see what effect she’s having on the
visuals from _minimalVector.
For
the initial part of their set the core of the sound emanates from Sten,
be it chittery skips or guttural rumbles, with
Bela using the Cello for percussive effect,
with very occasional bowing. Magnus providing drones and wayward unguitar
ramblings, although reviewing the recordings it’s very hard to work out
what comes from where. As Bela soars with the
saw someone provides a Sputnik meeping, and
then Magnus comes back with an almost sequencer backing of double handed
hammer-on up and down the neck, which drives us into the last part of the
set, with the bowed Cello cutting through at the top end and Lovecraftian
incantations hellishly rumbling up from below, its an amazing sustained
finale.
Lots
of Video footage on the Vimeo
HDTV site, our MySpace
page and the SogBlog
(which also has some excellent mp3’s as usual).
Yours
as ever
El
Maestro Con Queso
Editor.
Gravitational
Pull is the
official newsletter of The Spirit of Gravity Collective, though the
opinions expressed herein are not necessarily those of the Collective.
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